Image from Google Jackets

Music for sight singing / Thomas Benjamin, The Peabody Conservatory of the Johns Hopkins University, Michael Horvit, Moores School of Music, The University of Houstin, Timothy Koozin, Moores School of Music, The University of Houston, Robert Nelson., Moores School of Music, The University of Houston, authors.

Contributor(s): Publisher: Australia ; Boston, MA : Cengage, [2022]Edition: Seventh editionDescription: xvi, 383 pages : music ; 28 cmContent type:
  • text
  • notated music
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780357507735
Subject(s): DDC classification:
  • 23 782.042307 M97 2022
LOC classification:
  • MT870 .B46 2022
Contents:
Part I: COMMON PRACTICE TECHNIQUES: DIATONIC.1. Rhythm: One-and-Two-Pulse Units (Unmetered). Pitch: The Major Scale.2. Rhythm: Simple Meters. Pitch: Introducing Thirds. Pitch: Introducing Fourths.3. Pitch: Tonic Triad in the Major Mode. Introducing Fifths, Sixths, and Octaves.4. Rhythm: 2:1 Subdivisions of the Beat. Pitch: I, V, and V7; Introducing Sevenths.5. Rhythm: Anacruses (Upbeats) and 4:1 Subdivisions of the Beat. Pitch: I, IV, V, and V7. Pitch: Introducing the Alto Clef.6. Rhythm: Dots and Ties. Pitch: Minor Mode.7. Music from the Literature.8. Rhythm: Compound Meter. Pitch: Supertonic Traid. Pitch: Submediant and Mediant Triads. Pitch: Tenor Clef.9. Rhythm: Triplets and Duplets.10. Music from the Literature.11. Rhythm: Syncopation. Pitch: Other Seventh Chords. Part II: COMMON PRACTICE TECHNIQUES: CHROMATIC.12. Pitch: Decorative Chromaticism. Pitch: Inflected Scale Degrees. Pitch: Scalar Variants in Minor. Pitch: Modal Borrowing.13. Music from the Literature.14. Pitch: Secondary Dominants.15. Pitch: Modulations to Closely Related Keys.16. Rhythm: Quintuple Meters. Pitch: Chromaticism Implying Altered Chords; Modulation to Distantly Related Keys.17. Music from the Literature. Part III: TWENTIETH-CENTURY TECHNIQUES.18. Rhythm: Irregular Meters. Pitch: Diatonic Modes. Pitch: Changing Clefs. Part Music.19. Rhythm: Changing Meters. Pitch: Pandiatonicism.20. Rhythm: Syncopation Including Irregular and Mixed Meters. Pitch: Extended and Altered Tertian Harmony.21. Pitch: Exotic Scales.22. Rhythm: Complex Divisions of the Beat. Pitch: Quartal Harmony.23. Rhythm: Polyrhythms and Polymeters. Pitch: Polyharmony and Polytonality.24. Pitch: Interval Music.25. Serial Music.26. Music from the Literature.
Summary: Music for Sight Singing is now completely coordinated with our Music for Ear Training, and we recommended that all sight-singing exercises be supplemented with ear-training drills on the complementary materials. At the end of each unit, the student will find a prompt directing him or her to the parallel unit in Music for Ear Training.
Holdings
Item type Current library Collection Call number Status Barcode
Books Books College Library General Circulation Section GC GC 782.042307 M97 2022 (Browse shelf(Opens below)) Available HNU005080

Sight-singing course using exercises and musical extracts.

Part I: COMMON PRACTICE TECHNIQUES: DIATONIC.1. Rhythm: One-and-Two-Pulse Units (Unmetered). Pitch: The Major Scale.2. Rhythm: Simple Meters. Pitch: Introducing Thirds. Pitch: Introducing Fourths.3. Pitch: Tonic Triad in the Major Mode. Introducing Fifths, Sixths, and Octaves.4. Rhythm: 2:1 Subdivisions of the Beat. Pitch: I, V, and V7; Introducing Sevenths.5. Rhythm: Anacruses (Upbeats) and 4:1 Subdivisions of the Beat. Pitch: I, IV, V, and V7. Pitch: Introducing the Alto Clef.6. Rhythm: Dots and Ties. Pitch: Minor Mode.7. Music from the Literature.8. Rhythm: Compound Meter. Pitch: Supertonic Traid. Pitch: Submediant and Mediant Triads. Pitch: Tenor Clef.9. Rhythm: Triplets and Duplets.10. Music from the Literature.11. Rhythm: Syncopation. Pitch: Other Seventh Chords. Part II: COMMON PRACTICE TECHNIQUES: CHROMATIC.12. Pitch: Decorative Chromaticism. Pitch: Inflected Scale Degrees. Pitch: Scalar Variants in Minor. Pitch: Modal Borrowing.13. Music from the Literature.14. Pitch: Secondary Dominants.15. Pitch: Modulations to Closely Related Keys.16. Rhythm: Quintuple Meters. Pitch: Chromaticism Implying Altered Chords; Modulation to Distantly Related Keys.17. Music from the Literature. Part III: TWENTIETH-CENTURY TECHNIQUES.18. Rhythm: Irregular Meters. Pitch: Diatonic Modes. Pitch: Changing Clefs. Part Music.19. Rhythm: Changing Meters. Pitch: Pandiatonicism.20. Rhythm: Syncopation Including Irregular and Mixed Meters. Pitch: Extended and Altered Tertian Harmony.21. Pitch: Exotic Scales.22. Rhythm: Complex Divisions of the Beat. Pitch: Quartal Harmony.23. Rhythm: Polyrhythms and Polymeters. Pitch: Polyharmony and Polytonality.24. Pitch: Interval Music.25. Serial Music.26. Music from the Literature.

Music for Sight Singing is now completely coordinated with our Music for Ear Training, and we recommended that all sight-singing exercises be supplemented with ear-training drills on the complementary materials. At the end of each unit, the student will find a prompt directing him or her to the parallel unit in Music for Ear Training.

College of Education Bachelor of Physical Education

In English

There are no comments on this title.

to post a comment.