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On film editing : an introduction to the art of film construction / Edward Dmytryk; Andrew Lund

By: Dmytryk, Edward.
Contributor(s): Lund, Andrew.
New York, NY, USA : Routledge, ©2019Description: xxiv, 184 pages : illustratons ; 22 cm.ISBN: 9781138584327 (pbk).Subject(s): Motion pictures -- EditingDDC classification: 777.55 D64 2019
Contents:
Titles and definitions -- Who cuts the film? -- Smooth cutting: the ideal -- The cutter begins -- You¿ve got to have a reason -- The action cut¿and what makes it work -- Keep it fresh and fast with the overlap -- Trying a little harder -- Cutting dialogue -- The reaction is what really counts -- If you can¿t make it smooth, make it right -- Knowing your audience -- Dissolves: why, how, and if -- Editing: simple and pure -- More of the same -- Rescuing the actor -- Where it all began: the montage.
Summary: "In On Film Editing, director Edward Dmytryk explains, in clear and engaging terms, the principles of film editing, using examples and anecdotes from almost five decades in the film industry, offering a masterclass in film and video editing. Written in an informal, 'how-to-do-it' style, Dmytryk shares his expertise and experience in film editing in a precise and philosophical way, contending that all parties on the film crew--from the camera assistant to the producer and director--must understand film editing to produce a truly polished work. Originally published in 1984, this reissue of Dmytryk's classic editing book includes a new critical introduction by Andrew Lund, as well as chapter lessons, discussion questions, exercises, and a glossary"--
Item type Current location Collection Call number Status Date due Barcode
Books Books College Library
General Circulation Section
GC GC 777.55 D64 2019 (Browse shelf) Available HNU001448

"Originally published by Focal Press 1984."

Includes index.

Titles and definitions --
Who cuts the film? --
Smooth cutting: the ideal --
The cutter begins --
You¿ve got to have a reason --
The action cut¿and what makes it work --
Keep it fresh and fast with the overlap --
Trying a little harder --
Cutting dialogue --
The reaction is what really counts --
If you can¿t make it smooth, make it right --
Knowing your audience --
Dissolves: why, how, and if --
Editing: simple and pure --
More of the same --
Rescuing the actor --
Where it all began: the montage.

"In On Film Editing, director Edward Dmytryk explains, in clear and engaging terms, the principles of film editing, using examples and anecdotes from almost five decades in the film industry, offering a masterclass in film and video editing. Written in an informal, 'how-to-do-it' style, Dmytryk shares his expertise and experience in film editing in a precise and philosophical way, contending that all parties on the film crew--from the camera assistant to the producer and director--must understand film editing to produce a truly polished work. Originally published in 1984, this reissue of Dmytryk's classic editing book includes a new critical introduction by Andrew Lund, as well as chapter lessons, discussion questions, exercises, and a glossary"--

College of Arts and Sciences Bachelor of Arts in Communication

Text in English

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