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New monologues for women / edited by Geoffrey Colman.

Contributor(s): Colman, Geoffrey [editor.].
London, UK : Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc, ©2016Description: xiv, 102 pages ; 22 cm.Content type: text ISBN: 147257351X; 9781472573513.Subject(s): Monologues | Women -- Drama | Acting -- AuditionsDDC classification: 808.8245089287/N420 Other classification: HS
Contents:
Selections from: Best man / Carmel Winters -- Birthday / Joe Penhall -- Black Jesus / Anders Lustgarten -- Brief encounter / Noël Coward, adapted for the stage by Emma Rice -- Can't forget about you / David Ireland -- Candide / Mark Ravenhill -- Cannibals / Rory Mullarkey -- Casualties / Ross Ericson -- City Love / Simon Vinnicombe -- Clean / Sabrina Mahfouz -- The curious incident of the dog in the night / Mark Haddon, adapted for the stage by Simon Stephens -- Dark vanilla jungle / Philip Ridley -- Dirty great love story / Richard Marsh and Katie Bonna -- A doll's house / Henrik Ibsen -- Dry ice / Sabrina Mahfouz -- The effect / Lucy Prebble -- Exit / Steven Berkoff -- Free fall / Vinay Patel -- Hidden in the sand / James Phillips -- A history of falling things / James Graham -- If you don't let us dream, we won't let you sleep / Anders Lustgarten -- Josephine and I / Cush Jumbo -- The kindness of strangers / Curious Directive -- McQueen, or Lee and beauty / James Phillips -- Morning / Simon Stephens -- Playing with grown-ups / Hannah Patterson -- Quiz show / Rob Drummond -- Red velvet / Lolita Chakrabarti -- Skin tight / Gary Henderson - Underneath / Pat Kinevane -- Wasted / Kate Tempest -- The wolf from the door / Rory Mullarkey -- You're not like the other girls Chrissy / Caroline Horton.
Summary: This book features forty monologues from plays published by Bloomsbury Methuen Drama recently. The monologues are selected by the editor, Geoffrey Colman, on account of their relevance to drama school students and recent graduates entering the profession. Each monologue is preceded by an introductory paragraph, written by the editor, outlining the setting, character type, and point in the plot. Suggestions are offered for staging, character interpretation, points of significance in the text, and how to draw from decisions made in professional productions. This collection captures the best contemporary monologues for women, as well as celebrates the monologue as a piece for performance with accompanying commentary engaging with real dramatic challenges and issues that the performer will confront.
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Selections from: Best man / Carmel Winters -- Birthday / Joe Penhall -- Black Jesus / Anders Lustgarten -- Brief encounter / Noël Coward, adapted for the stage by Emma Rice -- Can't forget about you / David Ireland -- Candide / Mark Ravenhill -- Cannibals / Rory Mullarkey -- Casualties / Ross Ericson -- City Love / Simon Vinnicombe -- Clean / Sabrina Mahfouz -- The curious incident of the dog in the night / Mark Haddon, adapted for the stage by Simon Stephens -- Dark vanilla jungle / Philip Ridley -- Dirty great love story / Richard Marsh and Katie Bonna -- A doll's house / Henrik Ibsen -- Dry ice / Sabrina Mahfouz -- The effect / Lucy Prebble -- Exit / Steven Berkoff -- Free fall / Vinay Patel -- Hidden in the sand / James Phillips -- A history of falling things / James Graham -- If you don't let us dream, we won't let you sleep / Anders Lustgarten -- Josephine and I / Cush Jumbo -- The kindness of strangers / Curious Directive -- McQueen, or Lee and beauty / James Phillips -- Morning / Simon Stephens -- Playing with grown-ups / Hannah Patterson -- Quiz show / Rob Drummond -- Red velvet / Lolita Chakrabarti -- Skin tight / Gary Henderson - Underneath / Pat Kinevane -- Wasted / Kate Tempest -- The wolf from the door / Rory Mullarkey -- You're not like the other girls Chrissy / Caroline Horton.

This book features forty monologues from plays published by Bloomsbury Methuen Drama recently. The monologues are selected by the editor, Geoffrey Colman, on account of their relevance to drama school students and recent graduates entering the profession. Each monologue is preceded by an introductory paragraph, written by the editor, outlining the setting, character type, and point in the plot. Suggestions are offered for staging, character interpretation, points of significance in the text, and how to draw from decisions made in professional productions. This collection captures the best contemporary monologues for women, as well as celebrates the monologue as a piece for performance with accompanying commentary engaging with real dramatic challenges and issues that the performer will confront.

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