Foundations of art and design / (Record no. 27804)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 07395cam a2200409 i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 18064122 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20190707231112.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 160914b2015 ctu||||| |||| 00| 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2014935526 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781285456546 (paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1285456548 (paperback) |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Language of cataloging | eng |
| Description conventions | rda |
| Transcribing agency | |
| Modifying agency | DLC |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N7430.5 |
| Item number | .F498 2014 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Edition number | 23 |
| Classification number | 701.8/R188 |
| 084 ## - OTHER CLASSIFICATION NUMBER | |
| Classification number | HS |
| 087 ## - REPORT NUMBER [OBSOLETE, CAN/MARC] | |
| Report number [OBSOLETE, CAN/MARC] | GRef |
| 085 00 - SYNTHESIZED CLASSIFICATION NUMBER COMPONENTS | |
| Number where instructions are found-single number or beginning number of span | HS 701.8/R188 |
| -- | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Rathus, Lois F., |
| Dates associated with a name | 1953- |
| Relator term | author. |
| 9 (RLIN) | 4577 |
| 245 10 - TITLE STATEMENT | |
| Title | Foundations of art and design / |
| Statement of responsibility, etc. | Lois Fichner-Rathus, the College of New Jersey. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | Second edition. |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Stamford, Connecticut, U.S.A. : |
| Name of producer, publisher, distributor, manufacturer | Cengage Learning, |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2015. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xviii, 315 pages : |
| Other physical details | illustrations (some color) ; |
| Dimensions | 28 cm |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | text |
| 521 ## - TARGET AUDIENCE NOTE | |
| Target audience note | |
| 500 ## - GENERAL NOTE | |
| General note | Includes index. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Machine generated contents note: 1. The Creative Impulse -- Looking at Life and Art -- Nature -- Culture -- Art History -- Yourself -- Thinking and Writing about Life and Art: Recording, Interpreting, Communicating -- Understanding Art -- Subject versus Content -- Theory & Practice Giving Form to Experience -- Form -- Content -- Iconography -- Compare & Contrast -- A Style by Any Other Name ... Appropriation and Subversion in Contemporary Art -- Putting It All Together -- The Visual Elements -- Visual Elements -- Principles of Design -- Putting It All Together -- Principles of Design -- Mediums and Techniques -- Style -- Key Terms -- Artists on Art -- Digital Resources -- 2. Line -- Line, Communication, and the Impulse to Order -- Characteristics of Line -- The Measure of Line -- Types and Qualities of Lines -- Directionality of Line: Vertical, Horizontal, and Diagonal -- Compare & Contrast. Contents note continued: The Best of Times and the Worst of Times: Two Revealing Self-Portraits by Vincent van Gogh -- Location of Line -- Actual, Implied, and Psychological Lines -- Line and Shape -- Outline and Contour Line -- Line, Value, and Shape -- Line and Texture -- Interpretation of the Quality of Line -- Closure and Continuity -- The Expressive Language of Line -- Key Terms -- Artists on Art -- Digital Resources -- 3. Shape -- Shape, Form, Volume, and Mass -- Shape -- Form -- Volume -- Mass -- Types of Shape -- Geometric Shapes -- Organic Shapes -- Compare & Contrast -- The Expressive Potential of Shape -- Nonobjective and Abstract Shapes -- Amorphous Shapes and Shapelessness in Art -- Positive and Negative Shapes---Figure and Ground -- Using Shape -- Shape as Icon -- Key Terms -- Artists on Art -- Digital Resources -- 4. Value -- Shades of Gray -- Value Contrast -- Value Pattern -- Low-Key and High-Key Values -- Chiaroscuro. Contents note continued: Theory & Practice The Fundamentals of Chiaroscuro -- Tenebrism -- Highlights and Cast Shadows -- Descriptive and Expressive Properties of Value -- Key Terms -- Artists on Art -- Digital Resources -- 5. Color -- Color and Light -- The Science of Light -- Bringing Color Full Circle -- Additive and Subtractive Colors -- Cool and Warm Colors -- Properties of Color -- Hue -- Value -- Intensity, Chroma, and Saturation -- Color Mixing -- Visual Color Mixing in Practice -- Physical Color Mixing in Practice -- Theory & Practice Interacting with Color -- Color and Principles of Design -- Color and Emphasis -- Color and Balance -- Compare & Contrast -- Everything Old Is New Again: Keith Haring Meets Michelangelo -- Color Schemes: Harmony and Disharmony -- The Monochromatic Color Scheme -- The Analogous Color Scheme -- Complementary Color Schemes -- Split-Complementary Color Schemes -- Triadic Color Schemes -- Color Disharmony -- Local, Optical, and Arbitrary Color. Contents note continued: Color and Symbolism -- Key Terms -- Artists on Art -- Digital Resources -- 6. Texture -- Types of Texture -- Actual Texture -- Compare & Contrast -- Humans vs. Nature: The Raft of the Medusa -- Visual Texture -- Subversive Texture -- Using Texture -- Key Terms -- Artists on Art -- Digital Resources -- 7. Space -- Creating the Illusion of Space -- Relative Size -- Overlapping -- Transparency -- Location -- Atmospheric Perspective -- Linear Perspective -- Compare & Contrast -- So Close and Yet So Far: Perspective, Physical Proximity, and Emotional Distance -- Optical and Conceptual Representation -- Multiple Perspectives -- Amplified Perspective -- Isometric Projection -- Theory & Practice Creating the Illusion of Space in Sculpture -- Actual Space -- Architecture -- Key Terms -- Artists on Art -- Digital Resources -- 8. Time And Motion -- Actual Motion -- Kinetic Art -- Recording Actual Motion -- Illusion of Motion -- Multiple Exposures and Blurred Lines. Contents note continued: Optical Sensations -- Theory & Practice Chasing the Fourth Dimension: Loie Fuller -- Implied Motion -- The Fourth Dimension -- Time and Motion -- Motion Pictures: Film and Video -- Manipulating Time -- Animation -- Key Terms -- Artists on Art -- Digital Resources -- 9. Unity And Variety -- Ways to Achieve Unity -- Proximity -- Repetition -- Color and Value -- Line -- Shape -- Theory & Practice: Unity and Variety in Grant Wood's American Gothic -- Texture -- Continuity -- The Grid -- Unity with Variety -- Repetition -- Contrast -- Structure -- Motif -- Emphasis on Unity -- Emphasis on Variety -- Emphasis on Disunity -- Conceptual and Symbolic Unity and Disunity -- Key Terms -- Artists on Art -- Digital Resources -- 10. Focal Point And Emphasis -- The Relationship between Focal Point and Emphasis -- Methods of Creating Focal Point and Emphasis -- Directional Lines -- Contrast -- Placement -- Isolation -- Theory & Practice Focal Point and Emphasis. Contents note continued: Multiple Focal Points -- Absence of Focal Point -- Key Terms -- Artists on Art -- Digital Resources -- 11. Balance And Rhythm -- Actual Balance -- Pictorial Balance -- Horizontal Balance -- Vertical Balance -- Diagonal Balance -- Radial Balance -- Symmetrical and Asymmetrical Balance -- Symmetrical Balance -- Asymmetrical Balance -- Ways to Achieve Balance -- Value and Color -- Shape and Texture -- Pattern -- Position -- Using Balance and Imbalance -- Rhythm -- Types of Rhythm -- Key Terms -- Artists on Art -- Digital Resources -- 12. Scale And Proportion -- Size and Scale -- The Size of Art -- Relative Size -- Scale in Art -- Hierarchical Scale -- Compare & Contrast -- Symbols, Scale, and Sacred Space -- Size, Scale, and Symbolism -- Proportion -- Theory & Practice Polykleitos's Canon: The Body Beautiful -- The Golden Mean: "Moderation in All Things" -- The Golden Rectangle -- The Spiral -- Fibonacci Numbers -- The Root Five Rectangle -- Key Terms. Contents note continued: Artists on Art -- Digital Resources. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Packed with hundreds of examples of classic and contemporary art, this book delivers a comprehensive guide to basic design that provides the ideal foundation to design principles. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Visual perception. |
| 9 (RLIN) | 2181 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Visual communication in art. |
| 9 (RLIN) | 6896 |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) | |
| a | 7 |
| b | cbc |
| c | orignew |
| d | 2 |
| e | epcn |
| f | 20 |
| g | y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Koha item type | Books |
No items available.
