000 -LEADER |
fixed length control field |
03971cam a2200433 i 4500 |
001 - CONTROL NUMBER |
control field |
20404188 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20201119155320.0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
ta |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
180313s2019 enka fb 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2018009018 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781138482289 (hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781138482296 (pbk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781351058278 (ebk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781351058254 |
Qualifying information |
ebook |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Transcribing agency |
HNU |
Description conventions |
rda |
Modifying agency |
DLC |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1996 |
Item number |
.T23 2019 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
808.23 T11 2019 |
Edition number |
23 |
Placement Code |
GC |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Tabb, Michael, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Prewriting your screenplay : |
Remainder of title |
a step-by-step guide to generating stories / |
Statement of responsibility, etc. |
Michael Tabb. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London, UK ; |
-- |
New York, NY, USA : |
Name of producer, publisher, distributor, manufacturer |
Routledge, |
Date of production, publication, distribution, manufacture, or copyright notice |
©2019. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xvi, 229 pages : |
Other physical details |
illustrations ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
"Focal Press book"--Cover. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 209-210) and index. |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Foreword/PrefaceAct One - The SetupChapter 1: Premise (the Big Bang for your script)Chapter 2: Genre (getting in the right mood)Chapter 3: The Brainstorm (the storm of ideas)Act Two - Character DrivenChapter 4: Character IntroductionChapter 5: Protagonist (with details on anti-heroes and failed protagonists)Chapter 6: Antagonist (and the mentor gone wrong)Chapter 7: Can the Protagonist be the Antagonist?Chapter 8: Love Interest (the motivator of inner journey and the lust interest)Chapter 9: Mentor (the model for success in the physical goal or outer journey)Chapter 10: Dual Mentors (mind versus mission)Chapter 11: The Protagonist's Reflection characters (a look in the mirror)Chapter 12: A Final Reflection (character concept summation)Act Three - The Big IdeaChapter 13: Culmination (assembly of the puzzle pieces)Chapter 14: The Story (everything into a single story)Chapter 15: The Logline (how you'd sell it - from story to high concept)Appendix - Bonus Material/Final Exercise |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Foreword --<br/>Preface --<br/>Act 1. Story origins. Premise --<br/>Genre --<br/>The brainstorm --<br/>Act 2. Character creation. Character development --<br/>Protagonist --<br/>Antagonist --<br/>Can the protagonist be the antagonist? --<br/>Love interests --<br/>Mentor --<br/>Dual mentors --<br/>Allies --<br/>Final reflections on characters --<br/>Act 3. Culmination. Some assembly required --<br/>From concept to story --<br/>Loglines --<br/>Three-act structure --<br/>Reverse engineering from plot to premise --<br/>Final words of advice. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Prewriting Your Screenplay cements all the bricks of a story's foundations together and forms a single, organic story-growing technique, starting with a blank slate. It shows writers how to design each element so that they perfectly interlock together like pieces of a puzzle, creating a stronger story foundation that does not leave gaps and holes for readers to find. This construction process is performed one piece at a time, one character at a time, building and incorporating each element into the whole.The book provides a clear-cut set of lessons that teaches how to construct that story base around concepts as individual as the writer's personal opinions, helping to foster an individual writer's voice. It also features end-of-chapter exercises that offer step-by-step guidance in applying each lesson, providing screenwriters with a concrete approach to building a strong foundation for a screenplay. |
521 ## - TARGET AUDIENCE NOTE |
Target audience note |
College of Arts and Sciences |
Source |
Bachelor of Arts in Communication |
546 ## - LANGUAGE NOTE |
Language note |
Text in English |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion picture authorship |
Form subdivision |
Handbooks, manuals, etc. |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
orignew |
d |
1 |
e |
ecip |
f |
20 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Books |
Classification part |
800-899 |