Prewriting your screenplay : (Record no. 121533)

000 -LEADER
fixed length control field 03971cam a2200433 i 4500
001 - CONTROL NUMBER
control field 20404188
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20201119155320.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field ta
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180313s2019 enka fb 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2018009018
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138482289 (hardback)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138482296 (pbk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781351058278 (ebk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781351058254
Qualifying information ebook
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Transcribing agency HNU
Description conventions rda
Modifying agency DLC
042 ## - AUTHENTICATION CODE
Authentication code pcc
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1996
Item number .T23 2019
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 808.23 T11 2019
Edition number 23
Placement Code GC
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Tabb, Michael,
Relator term author.
245 10 - TITLE STATEMENT
Title Prewriting your screenplay :
Remainder of title a step-by-step guide to generating stories /
Statement of responsibility, etc. Michael Tabb.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London, UK ;
-- New York, NY, USA :
Name of producer, publisher, distributor, manufacturer Routledge,
Date of production, publication, distribution, manufacture, or copyright notice ©2019.
300 ## - PHYSICAL DESCRIPTION
Extent xvi, 229 pages :
Other physical details illustrations ;
Dimensions 24 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
500 ## - GENERAL NOTE
General note "Focal Press book"--Cover.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (pages 209-210) and index.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Foreword/PrefaceAct One - The SetupChapter 1: Premise (the Big Bang for your script)Chapter 2: Genre (getting in the right mood)Chapter 3: The Brainstorm (the storm of ideas)Act Two - Character DrivenChapter 4: Character IntroductionChapter 5: Protagonist (with details on anti-heroes and failed protagonists)Chapter 6: Antagonist (and the mentor gone wrong)Chapter 7: Can the Protagonist be the Antagonist?Chapter 8: Love Interest (the motivator of inner journey and the lust interest)Chapter 9: Mentor (the model for success in the physical goal or outer journey)Chapter 10: Dual Mentors (mind versus mission)Chapter 11: The Protagonist's Reflection characters (a look in the mirror)Chapter 12: A Final Reflection (character concept summation)Act Three - The Big IdeaChapter 13: Culmination (assembly of the puzzle pieces)Chapter 14: The Story (everything into a single story)Chapter 15: The Logline (how you'd sell it - from story to high concept)Appendix - Bonus Material/Final Exercise
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Foreword --<br/>Preface --<br/>Act 1. Story origins. Premise --<br/>Genre --<br/>The brainstorm --<br/>Act 2. Character creation. Character development --<br/>Protagonist --<br/>Antagonist --<br/>Can the protagonist be the antagonist? --<br/>Love interests --<br/>Mentor --<br/>Dual mentors --<br/>Allies --<br/>Final reflections on characters --<br/>Act 3. Culmination. Some assembly required --<br/>From concept to story --<br/>Loglines --<br/>Three-act structure --<br/>Reverse engineering from plot to premise --<br/>Final words of advice.
520 ## - SUMMARY, ETC.
Summary, etc. Prewriting Your Screenplay cements all the bricks of a story's foundations together and forms a single, organic story-growing technique, starting with a blank slate. It shows writers how to design each element so that they perfectly interlock together like pieces of a puzzle, creating a stronger story foundation that does not leave gaps and holes for readers to find. This construction process is performed one piece at a time, one character at a time, building and incorporating each element into the whole.The book provides a clear-cut set of lessons that teaches how to construct that story base around concepts as individual as the writer's personal opinions, helping to foster an individual writer's voice. It also features end-of-chapter exercises that offer step-by-step guidance in applying each lesson, providing screenwriters with a concrete approach to building a strong foundation for a screenplay.
521 ## - TARGET AUDIENCE NOTE
Target audience note College of Arts and Sciences
Source Bachelor of Arts in Communication
546 ## - LANGUAGE NOTE
Language note Text in English
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion picture authorship
Form subdivision Handbooks, manuals, etc.
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN)
a 7
b cbc
c orignew
d 1
e ecip
f 20
g y-gencatlg
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type Books
Classification part 800-899
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Permanent Location Current Location Shelving location Date acquired Source of acquisition Full call number Barcode Date last seen Price effective from Koha item type
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; GC College Library College Library General Circulation Section 2020-03-05 Library Fund GC 808.23 T11 2019 HNU001938 2020-11-24 2020-11-19 Books