Mime, music and drama on the eighteenth-century stage : (Record no. 121158)
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fixed length control field | 02845nam a22003978i 4500 |
001 - CONTROL NUMBER | |
control field | CR9780511794223 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | UkCbUP |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20201015164253.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m|||||o||d|||||||| |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr|||||||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 100702s2011||||enk o ||1 0|eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780511794223 (ebook) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781107005495 (hardback) |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | UkCbUP |
Language of cataloging | eng |
Description conventions | rda |
Transcribing agency | |
043 ## - GEOGRAPHIC AREA CODE | |
Geographic area code | e------ |
050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | GV1643 |
Item number | .N94 2011 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 792.8094209033 |
Edition number | 22 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Nye, Edward, |
Relator term | author. |
245 10 - TITLE STATEMENT | |
Title | Mime, music and drama on the eighteenth-century stage : |
Remainder of title | the ballet d'action / |
Statement of responsibility, etc. | Edward Nye. |
246 3# - VARYING FORM OF TITLE | |
Title proper/short title | Mime, Music & Drama on the Eighteenth-Century Stage |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Cambridge : |
Name of producer, publisher, distributor, manufacturer | Cambridge University Press, |
Date of production, publication, distribution, manufacture, or copyright notice | 2011. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (xi, 326 pages) : |
Other physical details | digital, PDF file(s). |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
500 ## - GENERAL NOTE | |
General note | Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Pt I. The Ballet d'Action in Historical Context: 1. The voice and the body in the enlightenment -- 2. A revival of Roman pantomime? -- 3. No place for harlequin -- 4. Decroux and Noverre: distant cousins? -- pt. II. The Ballet d'Action in Close-Up: Dramatic Principles: 5. Character and action -- 6. Dialogues in mime -- 7. Choreography is painterly drama -- 8. The admirable consent between music and action -- 9. Putting performance into words -- Conclusions -- Appendix; Bibliography. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Ballet |
Geographic subdivision | Europe |
General subdivision | History |
Chronological subdivision | 18th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Theater |
Geographic subdivision | Europe |
General subdivision | History |
Chronological subdivision | 18th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Pantomime |
Geographic subdivision | Europe |
General subdivision | History |
Chronological subdivision | 18th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | European drama |
Chronological subdivision | 18th century |
General subdivision | History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Music |
Geographic subdivision | Europe |
Chronological subdivision | 18th century |
General subdivision | History and criticism. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
International Standard Book Number | 9781107005495 |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://doi.org/10.1017/CBO9780511794223">https://doi.org/10.1017/CBO9780511794223</a> |
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