000 | 03393nam a22004217a 4500 | ||
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003 | phtghnu | ||
005 | 20240924153656.0 | ||
007 | ta | ||
008 | 210616s2022 enk 000 0 eng | ||
010 | _a 2021020336 | ||
020 |
_a9781350241053 _q(softcover) |
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040 |
_beng _cHNU _erda |
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042 | _apcc | ||
043 |
_an-us--- _ae-uk--- |
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050 | 0 | 0 |
_aPN2039 _b.S94 2022 |
082 | 0 | 0 |
_223 _3GC _a792.01 Sv34 _b2022 |
100 | 1 |
_aSvich, Caridad, _eauthor. |
|
245 | 1 | 0 |
_aToward a future theatre : _bconversations during a pandemic / _cCaridad Svich. |
264 | 1 |
_aLondon ; _aNew York : _bMethuen Drama, _c2022. |
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300 |
_avi, 245 pages ; _c22 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 0 | _aTheatre makers | |
505 | 0 | _aR/evolution -- Local and hyperlocal -- Virtuality -- Resistance and faith -- Communion. | |
520 |
_a"Featuring conversations with theatre-makers in the US and UK during the first eight months of Covid-19 lockdown, this collection reveals the innovations in digital theatre as artists, companies and theatres had to adjust to the restrictions and formulate new ways of working and reaching audiences. Besides documenting in their own words the work that was generated, the book captures the artists' dreams for a new post-Covid reality in which theatre is reimagined and issues of racial and economic injustice are addressed. With conversations grouped under 5 broad areas, a host of theatre-makers candidly discuss the present and the future of theatre: * R/evolution: How should theatre evolve rather than re-set? What kind of field could this be, if the arts sector is to survive in the US and UK and if white supremacist, classist, ableist and patriarchal structures are dismantled and acts of regeneration and reformation occur? * What does theatre look like at the local and hyper-local level and when working with young people and communities at risk? * The challenges of creating work in the digital realm and/or exploring socially distanced performance in new ways. * How may theatre address social inequalities and be a place for acts of political and artistic resistance? How has the pandemic galvanised their commitments to communities, arts advocacy, use of languages on the stage and page, and considerations of the living archive? * Acts of communion with audiences, readers, fellow artists, students, and within ensembles and collectives. How do we find new ways to gather and make when liveness and the shared experience are challenged?"-- _cProvided by publisher. |
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521 |
_aCAS _bBachelor of Arts in Communication |
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546 | _aIn English | ||
650 | 0 |
_aTheater _xPhilosophy. |
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650 | 0 |
_aTheatrical producers and directors _xInterviews. |
|
650 | 0 |
_aTheater and society _zUnited States. |
|
650 | 0 |
_aTheater and society _xGreat Britain. |
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776 | 0 | 8 |
_iOnline version: _aSvitch, Caridad. _tToward a future theatre _dLondon ; New York : Methuen Drama, 2021 _z9781350241077 _w(DLC) 2021020337 |
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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942 |
_2ddc _cBK _h700-799 |
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999 |
_c133712 _d133712 |